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Obviously you can't start that conversation without mentioning Peter Yates' Bullitt ('68) and William Friedkin's The French Connection ('71), but some of the deeper cuts being thrown around are from Ronin, Bourne, Matrix Reloaded, To Live and Die in LA, etc. -
Personally I love the race through the desert in the criminally panned Speed Racer and the finale of Death Proof is pure throwback goodness.

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