So structurally and thematically similar to Ride Lonesome the two become nearly indistinguishable, Comanche Station is nonetheless another sharp-edged exercise in greed and lawless temptation.
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After rescuing a captured woman from the Comanches (in a nearly-silent opening scene), Randolph Scott’s Jefferson Cody runs into a trio of outlaws who were beating every bush looking for the same woman – turns out there’s a $5,000 reward for her return.
This sets off a combustible psychological duel between the men who – even amidst constant Comanche threats – all wish to turn her in for the reward.
There’s constant bickering and cryptic undercurrents involving the three men who can’t resist the allure of the reward money against the moral standing (or perhaps retributive catharsis) of Scott’s Jefferson Cody - a perfect punctuator to Boetticher’s western landscape of wrath, discontent and avarice. [A-]
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