Liking to Make a Big Entrance

After seeing "Rear Window" at the Texas Theatre last night, I was once again entranced by one of my favorite shots of all-time, the unforgettable Grace Kelly entrance as she bends over to kiss the half-asleep Jimmy Stewart. 
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Then I began to think about the greatest "entrances" for an iconic film role and could only come up with that swooping, zoom-in shot of John Wayne in "Stagecoach" and of course Orson Welles' reveal in "The Third Man".